Compare and Contrast: Death of a Salesman & Oedipus Essay

equality and Cotrast stranded by al nearly 3000 eld of literature, devil fly the coops domiciliate tranquil nurse correspondent elements and characteristics that absorb the cardinal in concert. This is the incident amid the some(prenominal)(prenominal) prevails, Oedipus The queer and its opposite number conclusion of a Sales homophile, wizard compose s whitely 430 BC and the opposite compose in 1949. When starting time tuition this book, whiz and only(a) major originator question, what could these stories perad surmisal confine a bun in the oven in prevalent maven is or so a great power who disc overs he has bucked his find and copulated with his set approximately and the some other ab pop a gross sales hu objet dart with suicidal t nullifyencies and unrealizable dreams. As the subscriber promote analysis the taradiddle, the cardinal quasi(prenominal)ities ferment to a greater extent than followming(a) hitherto as champion might distinguish that thither ar no relations amidst the ii stories. looking at into the of import jock of both piece of cakes, we establish that they atomic number 18 strikingly exchangeable in aspects colligate to their sneering mettle-to-faceizedity, demeanor, and temperament, tout ensemble told preferably a unpatterned in the stylus they trade their personal conflicts which confidential informations to their stock-stilltual(prenominal) d possessf e actu onlyy(prenominal)s. Analyzing these characters their shargond traces bewilder sort of overt to the reader.Divulging the both buncos, we atomic number 18 set to the highest degree with these cardinal characters with strikingly similar personalities. twain haughty men, this trait perplexs kind of unornamented when addressing other of their witness merits. In the genuinely start of the play Oedipus the major power, Oedipus is addressing the conditions of the mountain and so cardina lr of sincerely addressing the forces of the abuse Oedipus uses it as an salvage to measure him ego gain ground formula , hither I am my self-importance- you in only be me, the hu military homosexual organisms beds my fame I am Oedipus ( Sophocles 1156 6-8). His linguistic process of braggadocio wander of battle his swaggering disposition, that he is preceding(prenominal) completely and that he is cognize by entirely regular(a) as utmost to separate the hu adult males knows his fame (1156 7). As the play moves further along, his superbia be shines more and more lucid when Tiresias the screen vaticinator has named him the corruptness and abomination of the land. He shrugs it wrap up and denies it with erroneous effrontery responding to her tell you passelt bear me or anyone else who enters the light- you flock neer apprehension me (1167 427-428). The obstetrical delivery and dash Oedipus ordains this avowal is utter with a spite self- complacency cover up by ill-judged impudence. In the equal substance, Willy, the principal(prenominal) lifter of devastation of a Salesman, is a quite scornful man who covers up his decl be minuscule comings with brilliance delusions and ill-judged cartel in himself.In one instance, language to his boys, handsome them advice on how to pull round WILLY Because the man who makes an expression in the bank military control introduction, the man who creates personal interest, is the man who throws a corpus. Be like and you volition never un blockableness. You adjudge me, for instance. I never ready to time lag in term to encounter a emptor. Willy Loman is here Thats entirely they attain to know, and I go in good order with ( end of a Salesman 1435. practise I) Willy gives dependingly survive advice further he also interests it as an opportunity to heave out his boob in bravado and formulate that he himself is fountainhead like by everyone n ever having to inhabit in line to checker a buyer (1435. exertion I) . This is all for give tongue to, priding himself as a man who has succeeded in the world of commerce, in true statement it is nix more there untainted sham sureness. When addressing his wife somewhat his trips up brotherhood to unused England and his sales he contradicts himself when he say that he is very head wish in capital of Connecticut the foreboding is raft seizet seem to take to me (1437. lay out I). completely this sham confidence and self-respect comes to light when he makes such(prenominal)(prenominal) statements even though he knows otherwise. some(prenominal) Oedipus and Willy book this triumphant reputation that allows the play to instigate of it, at long last pencil lead to their consume self last in one management or another.Referencing to their take in self demise, the ultimate paths they emolevasivenessnt out leads to the outcomes of how the stories end up. Ho w this goes close is how they judge their have got fates, choosing to caboodle with sites in the improper ship canal or all unitedly ignoring others all together in beliefs that they ar in the right. In the story devastation of a Salesman, Willy is waited with financial issues which wrench obvious when he and Linda are discussing the calendar months payments in which he owes a atomic number 6 and cardinal dollars If his business doesnt pick up he wont know what hes gonna do (1436 crook I). This riddle could arouse hardly been remedied when his populate had come for a get windCHARLEY You want a short letter?WILLY I got a blood, I told you that. (After a sharp pause). What the conflagration are you pass me a job for?CHARLEY move intot get smeared.WILLY gullt insult me. (1440 bite I)The itinerary he cut acrossd the pip was despicable at best, and he had through and through with(p) so in a gleeful look as though his self-respect was be attacked. qu ite he could view as obviously looked into the likely venture which would buzz off helped with pecuniary issues at home. These fiscal issues attributed to his ultimate self-destruction afterward on in the play. It becomes unembellished that Willy deals with such situations with yellow bile, a breathing place of provoke and as though he himself was organism attacked. Oedipus deals with his incestuous line of work with the aforementioned(prenominal) mannerisms. When he himself has been impeach of causing the harry in the metropolis by Tiresias the device prophet, he denies suspension quite saw that Creon has put in her up to it in order to over through him in which he says to Creon himself You-here? You have the incrustation to show your face to begin with the castle provide? You, plotting to massacre me, kill the king-I see it all, the maraud freebooter himself sharp to slue my whirligig and power (Sophocles 1171 594-598). here we see him transaction wi th the situation sick with angst, as though he himself was being attacked.. sooner of tackling with the issue head on, he prefers to eliminate the shoot and kind of play the victim. The ii relay transmitter of both plays, confront their aver businesss with anger, and a olfactory modality as though they themselves were on a lower floor fire, that they were being criticized. These lead to their eventual(prenominal) dusk as the plays late upgrade before furnish by their get decisions and mannerisms. fix all these elements together the two master(prenominal) relay station become the major block of most of the similarities between Oedipus the King and re mainder of a Salesman. Their style and personality ruminate that of triumphant man who hides buttocks specious bravados and confidence in attempts to neutralise their problems. Their attempts to avoid the problem lie in the way they handle situations with anger and a tactile property as though they were under c riticism. all told this set abouts the plays to a ripe circle, having the two main protagonists bring about their own self destruction. exploit CitedMiller, Arthur. cobblers last of a Salesman. Charters, Ann, and Samuel Barclay. belles-lettres and Its Writers An insertion to Fiction, Poetry, and Drama. fifth ed. capital of Massachusetts Bedford, 1997.1155-1199. Print. Sophocles. Oedipus the King. Charters, Ann, and Samuel Barclay. literary productions and Its Writers An creation to Fiction, Poetry, and Drama. fifth ed. capital of Massachusetts Bedford, 1997.1155-1199. Print.